Wednesday, 5 November 2014

cinematography


                                            


In the extreme wide shot, the view is so far from the subject that s/he isn't even visible. The point of this shot is to show the subject's surroundings.The EWS is often used as an "establishing shot" - the first shot of a new scene, designed to show the audience where the action is taking place



In the wide shot, the subject takes up the full frame. In this case, the boy's feet are almost at the bottom of frame and his head is almost at the top. Obviously the subject doesn't take up the whole width and height of the frame, since this is as close as we can get without losing any part of him. The small amount of room above and below the subject can be thought of as safety room — you don't want to be cutting the top of the head off. It would also look uncomfortable if his feet and head were exactly at the top and bottom of frame.

The mid shot shows some part of the subject in more detail, whilst still showing enough for the audience to feel as if they were looking at the whole subject. In fact, this is an approximation of how you would see a person "in the flesh" if you were having a casual conversation. You wouldn't be paying any attention to their lower body, so that part of the picture is unnecessary.The MS is appropriate when the subject is speaking without too much emotion or intense concentration.


In the closeup shot, a certain feature or part of the subject takes up most of the frame. A close up of a person usually means a close up of their face (unless specified otherwise). A close-up of a person emphasizes their emotional state. Whereas a mid shot or wide shot is more appropriate for delivering facts and general information, a close-up exaggerates facial expressions which convey emotion. The viewer is drawn into the subject's personal space and shares their feelings.


The Extreme close up gets right in and shows extreme detail. You would normally need a specific reason to get this close. It is too close to show general reactions or emotion except in very dramatic scenes.



The over the shoulder is framed from behind a person who is looking at the subject. The person facing the subject should usually occupy about 1/3 of the frame.This shot helps to establish the position of each person, and get the feel of looking at one person from the other's point of view.It's common to cut between these shots during a conversation, alternating the view between the different speakers.




Point of view shows a view from the subject's perspective. It is usually edited in such a way that it is obvious whose POV it is








pan is a horizontal camera movement in which the camera moves left and right about a central axis. This is a swiveling movement, i.e. mounted in a fixed location on a tripod or shoulder, rather than a dolly-like movement in which the entire mounting system moves.

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